By Andy Fein, luthier at Fein Violins
and Violinist Joe Peterson
Let's say you're a great violinist in the early 1700s. The repertoire is getting old and is really holding you back (typical). So what do you do to make a huge leap in musicality? You could jot some notes down as you're noodling around on your fiddle or.... you could go to sleep and wait for the Devil to come visit you.
and Violinist Joe Peterson
Let's say you're a great violinist in the early 1700s. The repertoire is getting old and is really holding you back (typical). So what do you do to make a huge leap in musicality? You could jot some notes down as you're noodling around on your fiddle or.... you could go to sleep and wait for the Devil to come visit you.
