Sunday, November 6, 2016

Cellos are Big. They Used to be Bigger.

By Andy Fein, Luthier, Fein Violins, Ltd.

If you've ever seen someone struggling down the street or up the stairs with a cello, your first thought might be "Wow! Those are big instruments!" Well, in the very long history of cellos, many of them used to be even bigger.
The 'Lord Aylesford' Stradivarius cello. A BIG cello
The standard body length of a modern cellos is about 750mm (29 1/2"). Before 1700, some monster cellos, even those made by great makers, were 760mm to 800mm (30" to 31.5"). These big cello were also proportionately wider in width. Think about that the next time you need to reach around your cello's upper bouts to play in upper positions!

Sunday, October 30, 2016

Wood Music Stands- No Need to Be Wired

By Andy Fein, Fein Violins

We have all experienced the heartbreak of a flimsy wire music stand. You finally have the mindset and the time to practice. You put your Big Book of Etudes on your teeny wire music stand and... Boom! Down goes the music stand and your music. Hopefully, it missed your instrument.

Plus, they're just ugly. Put one in the music room in your home along with your precious instruments and nice furnishings? I. Don't. Think. So.

We came up with a better solution.
              

Introducing-  Our Professional Wood Music Stand with a  beautiful solid wood walnut top and a very reliable black metal height adjusting pole and tilt mechanism. Made especially for Fein Violins by the venerable German music stand manufacturer Konig and Meyer.

Sunday, September 25, 2016

Pictures of Violins, Violas & Cellos - Where to find Them on The Web

Stradivarius, 1737
By Andy Fein, Martha McDermott, and Miranda Crawford

Many of us love looking at all the variations in the shape, color, style, and age of great violins, violas, and cellos. The web is full of great places to see some wonderful instruments. Stradivaris, Amartis, Guarneris, oh my!
The 'Messiah' Stradivarius

Friday, August 26, 2016

For Cellists- What You Play On Matters

By Andy Fein, Luthier & Owner, Fein Violins, Ltd.

Have you ever attended a concert to hear a great cellist and wondered, "What are they playing on?" No, not the instrument, but the floor, platform, or podium beneath them. What a cellist plays on can make a huge difference in how the cello sounds. It's more than just finding a nice spot to jab your endpin.

Cellist Sol Gobetta on a podium higher than the conductor's

Thursday, August 11, 2016

Stradivarius. 10 Fun Facts About His Life & Work

By Andy Fein, Luthier, Fein Violins, Ltd.




Stradivarius. So much of my life is wrapped around learning what he did, how he did it, and maybe even why he did it. Sometimes when I'm working on an instrument, I feel like I'm having a conversation with Stradivarius. Partly with words and partly with the way I work a piece of wood for a violin. Here are some things you may or may not know about him.

Thursday, July 14, 2016

Stradivarius in his Nineties- Great Violins in His Last Years


One of the amazing things about Antonius Stradivarius is the longevity of his working life.

Born in 1644, Stradivarius' earliest instruments date from about 1670, at age 26. By age 26, Stradivarius was already a well trained luthier with finely honed skills. He kept working and making great instruments until he was 93.

Sunday, May 15, 2016

A Strad, a Mobster, and a Priest

By Andy Fein, Martha McDermott and Miranda Crawford

Recently, I read a news story about a former priest pleading guilty to helping his mobster friend find a supposed Stradivarius hidden inside a wall of a home in Wisconsin. My inner ears perked up! What could be a better story? The Mafia, a supposed Stradivarius hidden inside a wall, a corrupt priest, a few hundred thousand dollars (in cash, of course), a bunch of loose diamonds, FBI raids, and a heartfelt confession. Sounds too good to be true. But it is!
Frank Calalbrese, Sr.

Sunday, April 10, 2016

Watch Out! The Natural Hazards of Stringed Instrument Playing


By Andy Fein, Martha McDermott, and Miranda Crawford

Recently, a high school orchestra student had a very unfortunate mishap. A piece of metal from the tailpiece of his violin popped off and hit him in the eye. The accident caused fairly extensive damage to his eye. Hopefully, the damage will not be permanent and his sight will be restored. But it made us realize that not everyone knows that your violin, viola, or cello is not bomb proof. They need maintenance! Maintenance to ensure the best sound and playability, and sometimes just for basic safety.
Avoid this! Change your strings & check your instrument often

I have not seen the actual instrument, so I'm going to speculate that the piece of metal was actually the metal ball from a ball end string.

A fully intact ball end E string

So, here's a list of some things you should regularly do to ensure the health of your instrument. And you!

Sunday, April 3, 2016

David Tecchler, Cello Maker Extraordinaire and Mercenary (?!)

By Andy Fein, Miranda Crawford, and Martha McDermott

David Tecchler is a luthier that has long fascinated me. I first saw his work when I was an apprentice in violin making school. His work is an interesting combination of German/Tyrolean style blended with a few Italian styles. Even though he was born in Salzburg, Austria in 1666, he's generally considered an Italian maker because most of his work was done in Rome. His well loved cellos are often valued in the $1,000,000 (yes, that's one million) and up range. But if he was considered a Tyrolean maker, the vagaries of the market would knock a zero or two off of those values. 

And his cellos are fantastic! Dare I say it? Some of his cellos rival Stradivarius' in terms of sound, carrying power, and refinement of tone. 

Then there's his most famous cello, the 'ex-Roser', generally attributed to the year 1723, and beautifully played for many years by Robert Cohen. A great sounding cello! Look where the scroll should be. There's an elaborately carved head of a bearded man wearing a distinctive hat. Who.Is.That.Guy?

Robert Cohen playing his David Tecchler cello, The ex-Roser

Sunday, March 13, 2016

Beethoven, Romberg & the Cello Concerto That Didn't Happen

By Andy Fein and Miranda Crawford

Beethoven wrote a beautiful Concerto for Violin, a wonderful Triple Concerto for Violin, Cello, and Piano, nine great Symphonies, five superb Cello Sonatas, plus a bunch of Concertos for lots of other instruments. But we don't have a Beethoven Cello Concerto. Why?
Bernhard Romberg, the guy that nixed Beethoven's Cello Concerto

Tuesday, February 23, 2016

Wood or Carbon Bows- Which are Better?

By Andy Fein & Martha McDermott
Recently, a Facebook friend asked a reasonably simple question, "Which are better, wood or carbon bows?" And the definitive, absolutely right answer is......



Monday, February 8, 2016

Pernambuco or Brazilwood, What's the difference?

If you're an avid fan of stringed instruments and their bows, you might have noticed two names for wood bows- Pernambuco and Brazilwood. So, what's the difference? The answer is- not much. In fact, they come from the same tree 'Pau Brasil' (Caesalpinia Echinata)


The Pau Brasil tree.