Title Bout: Guarneri del Gesu versus Stradivari. Which is Best?

Written by Andy Fein, luthier at Fein Violins,
and Kevin Berdine

Be careful what you ask for. This morning, while taking photos (to send to a customer) of an Atelier Cremone del Gesu model, I asked Andy "what's the difference between the models of del Gesu and Stradivari?" And, in Andy's usual fashion he exclaimed "Great idea! You have figured out your next blog posting!" Then he showed me some resources and sent me on my way.

1703 "Lady Harmsworth" Stradivari

1743 "Il Cannone" Guarneri del Gesu

The violins of del Gesu and Stradivari are at the utmost pinnacle of violin making. Each innovated violin making and broke away from the highly arched traditional forms of Stainer and Amati. Interestingly, however, the strides that both makers achieved were completely different from one another. Stradivari is known to have executed his violins with extreme physical elegance. Because of their extreme beauty, Stradivari's violins were immediately sought out by the courts and nobility of Europe. A Desiderio Arisi manuscript, written in 1720, lists many nobility, from princes and dukes, among those who purchased instruments from Stradivari. In contrast, del Gesu's instruments were rougher and much more unique. Each instrument left the shop with a much more adventurous design. Although rougher in design and workmanship, his instruments yielded a wonderful tonal palette that was both beautiful and powerful. His instruments, unlike Stradivari, were used by the the common musician who required a great sound without the high price tag.

Can't kick the tires of a violin-What to look for when buying an instrument.

Written by Andy Fein, luthier at Fein Violins
Kevin Berdine, and Amy Tobin

Looking for a "new-to-you" instrument is a daunting, but exciting task. There are many items that must be factored in before taking the leap. Cost, quality, warranty, trade-in, condition, and playability all contribute to the overall impression an instrument makes upon you, but we believe the most important factor has to be sound. Sometimes, however, cost is a very important limitation. Below, I delve into cost's contributing factors.

Many things contribute to the cost of an instrument; maker's reputation, wood quality, workmanship, condition, location, and yes, even appearance.