Showing posts with label Amy Tobin. Show all posts
Showing posts with label Amy Tobin. Show all posts

Wednesday, June 20, 2012

Birdsongs of the MidWest - Meet Andrew Bird

Written by: Amy Tobin of Fine Violins

What do you call someone who is classically trained as a violinist, an innovator in using electronics with the violin, a multi-instrumentalist, and can whistle nearly anything? Well, besides 'incredibly talented,' you call him -

Andrew Bird - photo by John Anderson
A native of Chicago, IL, Andrew actually began playing the violin, at the age of 3, with the Suzuki method. Years later, he went on to Northwestern University and graduated with a bachelor's degree in violin performance. Yes, our Mr. Bird is an actual, real live performance major! The same year he graduated (which was 1996),

Thursday, November 3, 2011

Charlie Siem - Model Virtuoso Violinist

 Written by: Amy Tobin of Fein Violins

Charlie, Charlie, Charlie. Rarely has there been a violinist who not only plays so beautifully, but also looks so damn good.


Born in London, England, in 1986, Charlie Siem began studying the violin at the age of 4. He continued his studies at the Guildhall School of Music, and, later, at the Royal College of Music. He has soloed with orchestras that include the London Symphony Orchestra, the Royal Philharmonic, and the Israel Camerata. Meet Charlie......



He began studying the violin when, at the age of three, he heard the Beethoven Violin Concerto played, in concert, by violin great Yehudi Menuhin. Interestingly enough, he now plays on one of Menuhin's most beloved instruments.....his 1735 Guarneri del Gesu d'Egville. Sounds like a dream come true, to me!

Friday, October 28, 2011

The Artaria String Quartet

Written by: Amy Tobin of Fein Violins

Here in Minnesota, we are lucky to have a vast array of very talented and amazing musicians. We've got the Minnesota Orchestra, the Saint Paul Chamber Orchestra, the Minnesota Opera, as well as many smaller groups and individual artists. In fact, on most weekends, it can be difficult to decide whose concert to go to.

Annalee Wolfe, Nancy Oliveros, Laura Sewell, and Ray Shows of the Artaria String Quartet


One of my favorite small groups, in fact some of my favorite all-around musicians, is the Artaria String Quartet. Composed of Ray Shows as first violinist, Nancy Oliveros as second violinist, Annalee Wolf as violist, and Laura Sewell as cellist, each member is an accomplished musician with an impressive performance pedigree behind them. Collectively, they have performed in many of the major symphony orchestras across America as well as in Europe (both eastern and western), and they have been recipients of such awards as the McKnight Fellowship and grants from the National Endowment for the Arts.

Friday, October 21, 2011

Learning to Love a Piece of Music

Written by: Amy Tobin of Fein Violins

Music is an incredible thing! From the first reading, to the hours spent practicing, to performance, a piece of music can become a part of your life in a way that few other things can. Most of the time, a piece of music will be a great partner from start to finish, but there will be those rare instances when you just don't seem to connect with a piece no matter how hard you try. How, then, do you find a way to make that piece of music something that you can relate to and find beauty in?

Saturday, October 15, 2011

Hilary Hahn - Professional Violinist, Girl Next Door

Written by: Amy Tobin of Fein Violins

If there were such thing as a "young person's classical violinist," well, Hilary Hahn would definitely be that! In a time where the violin is getting more and more popular, by being used in more and more kinds of music, and yet less and less refined in its traditional sense, Hilary has managed to be able to combine both of those things. Firmly planted in the classical world, she wanders blissfully along the pathways of other artists and genres when the opportunity arises, never really leaving her ties to the classical world, but yet never really trying to be anything other than what she is when playing with others.


Thursday, October 13, 2011

The Realist Violin:
Electric/Acoustic playing at Its Finest!

Written by: Amy Tobin of Fein Violins

I am a violinist who is always looking for new and different things to do, both musically and technically. As a result, I have found myself in many situations where I needed to play amplified. I have used fully electric violins, acoustic-electric violins, and various pickups on my own violin, all for different reasons and to different effects. One of the reasons I have used so many different kinds of instruments is that I never really found one that satisfied my yearning for a rich, warm, full sound while playing plugged in. That is, until now.

Meet...............

THE REALIST!
The David Gage Realist RV4 Violin

Saturday, September 10, 2011

WTC 9/11 - Steve Reich's Musical Commemoration

 Written by: Amy Tobin of Fein Violins

September 11, 2001 is a day in America that will never be forgotten. It will be forever etched into our collective psyche, the way a knife wound creates a permanent scar in flesh. Almost anyone who was cognizant at the time will be able to tell you exactly where they were when they first saw, heard, or learned about the attacks that occurred on that day. It is only natural that people find ways to commemorate the event, or translate the feelings and actions of that day into some kind of lasting form.

Steve Reich in his hometown of New York City

Saturday, September 3, 2011

The Day That The Angels Came Out of Hiding

Written by: Amy Tobin of Fein Violins


This story was written by one of our visitors who came into the shop with a violin that he had built many years earlier. He was in his early 90's when he came in and has since passed away. I was invited to play the violin he made at his memorial service, which was an incredibly touching affair. I thought it would be a nice tribute to publish his story here.

The Day That the Angels Came Out of Hiding, by Mr. Mehrkens

My son Douglas and I spent a nice father and son day. It was our day even if some of the time was spent on a doctor call. Life is almost too busy…so busy that we miss some of the simple things in life. Doug and I hadn’t spent a day together for quite a while.
It was a day to do as we liked. We left Elk River in late forenoon and headed for St. Paul after getting the doctor behind us. Doug had visited some small but interesting violin shops in St. Paul and had talked to the managers about his dad’s home-made fiddle. They wanted to see it. As we rang the “ding-dong bell,” two ladies came to meet us. They were very anxious to see Doug’s dad’s home-made fiddle.

Saturday, August 27, 2011

The Fine Art of Practicing

 Written by: Amy Tobin of Fein Violins

It may sound a little funny, but knowing how to practice takes practice! When you are learning a new piece, I think you will agree that just playing it over and over again isn't going to make you learn it any faster or better. In fact, it might even slow your progress! Sometimes we need to take baby steps in order to be able to make those giant leaps!

In any practice session, the first thing you absolutely need to do is warm up. This is crucial! You would never see a major league pitcher come right from the dressing room and start pitching full force, whether it was for a practice or a game. He takes the time to warm up his muscles by doing some stretching and specific exercises.

Saturday, August 20, 2011

How to Prepare For an Audition

 Written by: Amy Tobin of Fein Violins

Auditions are stressful situations, and preparing for them can feel overwhelming. You want to play as perfectly as you can, and you want to impress the people listening to you, but with music being such a subjective thing, what, exactly does that really mean?

First of all, let me help you to alleviate some of the stress. I think that, many times, the words we use can create certain feelings within us. For instance, if I say the word "audition," I think there is an entirely different visceral response than if I say the word "performance."

Saturday, August 13, 2011

If Only They Had Told Me

 Written by: Amy Tobin of Fein Violins

I have been a musician for nearly all of my life. I started playing the piano when I was three, and then I added the violin to that when I was ten. In fact, I went to college for music, majoring in violin performance.

I love symphonic music, and I love chamber music. When I was studying at Boston University, the faculty there did a great job preparing me, as well as all of the performance majors, for orchestral careers, but nobody ever talked about any other options. In their defense, however, other outside-the-box types of performance careers were not as plentiful or accepted as they are now, so I definitely can't fault them for that. If I had known then what I know now, however......

Wednesday, August 10, 2011

Paganini's Violin: Il Cannone

Written by Andy Fein, luthier at Fein Violins
 and Angie Newgren, edited by Amy Tobin

There is a triangular relationship between a violinist, their instrument and their bow. Often times, we think of a certain "sound" when we think of a particular player. Much of that sound is defined by the instrument they play.

Niccolo Paganini & his  Guarnerius del Gesu violin,  "Il Cannone"

Paganini and his violin, a Guarnerius del Gesu named "Il Cannone" (the Cannon!), defined each other. Paganini was one of the first soloists to play a del Gesu. Its huge sound and fast response became Paganini's "sound". Made in 1742 (the Hills' attribution, others say 1743), late in del Gesu's life, the violin is preserved, as it was when Paganini played it, by the city of Genoa, Italy.

Tuesday, August 2, 2011

Joshua Bell, Growing Up Normal

 Written by: Amy Tobin of Fein Violins

When people think of famous solo violinists, they often picture them as toddlers, with their chosen instrument, doing absolutely nothing but practicing and performing for their entire childhoods. In fact, many people would assume that, if the child isn't devoting absolutely all of their time to music, they will never be successful later on. This may be true for some, but it would also seem that it doesn't necessarily have to be that way.

Joshua Bell

Joshua Bell, arguably one of the brightest stars in the classical music world, actually had a pretty normal childhood.

Saturday, July 30, 2011

Fix it Yourself or Bring to Your Luthier?

 Written by: Amy Tobin at Fein Violins

Violins, violas, and cellos, because they are made from wood, can change. In fact, they are designed to do so. That way, when the weather changes, and the wood shrinks or swells, it protects the main body of the instrument from cracking. So, when things happen to your instrument and it ceases to operate smoothly, which things can you do yourself, and which things should you bring your violin in to your luthier to take care of?

One of the most common things that can happen is a tuning peg that either slips or sticks.

Friday, July 29, 2011

Ole Bull, the Original Andre Rieu

 Written by: Amy Tobin of Fein Violins

Ladies and gentlemen! Please welcome consummate violinist, composer, advocate, and all around electrifying personality........

OLE BULL!!!!

Ole Bull

Born in Bergen, Norway, in 1810, he was the original rebellious child.
His father had plans for him to become a minister, but after showing talent at a very young age (soloing with the Bergen Philharmonic at age 9!), it was clear there was only one path for Ole. In fact, when he went to take the entrance exams for Theology school, he failed. Yep. Question is, did he really fail or did he throw it?

In an apparent attempt to have his father think that he was making something of himself, he went to Germany, where he pretended to study law. 'Yes, Dad. Everything's great! School? Oh, school is going just fine.....' Shortly thereafter, he moved to Paris, Europe's famed haven for all artistes.

Thursday, July 7, 2011

Learning the Violin as an Adult

 Written by: Amy Tobin of Fein Violins

I love the new players who come in to our shop to look for instruments. There is a certain look in their eye, a moment of hesitation before getting a little more comfortable with us, and certain sense of both nervousness and excitement. Sometimes these new players are adults, and there is one consistency among all of them. They all seem to think that we are going to act like they are crazy for wanting to learn to play the violin (or viola, or cello) as an adult. Au contraire!

Tuesday, June 28, 2011

Ennio Bolognini - Serious BadA$$!

Written by: Amy Tobin of Fein Violins

Recently, National Public Radio asked the question 'Who was the most bad-ass composer ever?' This, indeed, has gotten us all thinking. Of course we all came up with the usuals......Wagner, Berlioz, Mozart, Beethoven, etc. After doing a little thinking and research, however, we here at Fein Violins were treated to the discovery of one of the most gloriously irreverent personages that the classical music world has possibly ever seen! So, dear readers, it is my great honor to introduce you to:

Ennio Bolognini!

Ennio Bolognini

Monday, June 27, 2011

'Lady Blunt' Going Once, Going Twice, Sold - For $16 Million Dollars!

Written by: Amy Tobin of Fein Violins

I am a little late in posting my reaction to the recent sale of the 'Lady Blunt' Stradivarius. Perhaps I just needed a little time to process the fact that this gorgeous, near perfect condition, absolutely incomparable violin sold at auction for nearly $16M dollars! Here, let me put the zeros after that so you can get the full effect: $16,000,000

File:Lady Blunt top.jpg
The top of the 'Lady Blunt'

image by Tarisio Auctions

The 'Lady Blunt' Stradivarius is the new record holder.
The almost $16M that it sold for is nearly 4 times the amount of the previous record, set by the sale of the 'Molitor' Stradivarius, for $3.6M, to Anne Akiko Meyers in 2010.

The other astonishing fact about the sale of this instrument, put up at auction by the Nippon Music Foundation,

Saturday, June 25, 2011

What's Wrong With My Bow?

 Written by: Amy Tobin of Fein Violins

In the process of writing posts about violin bows, (how to take care of them, round vs. octagonal bows,  how much bow tension is correct, and whether a better bow really makes a difference) I thought it would be appropriate to write one more post that is sort of a diagnostic of violin bows. This will also apply to cello and viola bows, but, from hereon, I will write "violin."

There are a few things that can happen with violin bows that can worry players.

Monday, June 20, 2011

Finding Your Violin Online

Written by: Amy Tobin, Andy Fein, Luthier at Fein Violins, and Mikaela Marget

These days, shopping has become a completely different experience than it was even a few years ago. With a few keyboard clicks, you can be directed to nearly any product or service that you are interested in, with options to purchase from nearly anywhere! This is no different in the world of musical instruments. In fact, we have adapted to this new environment and most of our sales these days come from the internet.

Admittedly, it can be a little more difficult to handle such a subjective and personal thing via the internet, but I am going to give you a few tips to help you find your perfect violin, viola, or cello if you are looking online!